视频简介
他是一位傲慢、呆板且坏脾气的喀尔巴阡王储，为参加1911年英王乔治五世的加冕典礼而出访伦敦。她名叫埃尔希·玛丽娜，是个来自美国东南部小海港的寻常女子。她在伦敦充当艳舞场上的配角，虽缺乏优雅仪态，却通情达理。他们的相遇实属阴差阳错，可很快两人便陷入了暖暧之中，难以分辨究竟是谁诱惑了谁。凭借奥利维尔的翩翩风度、梦露的仪态万千以及特伦斯·拉逖甘的剧本（改编自他的舞台剧《睡王子》），本片定能令你全身心地感受一次皇家礼遇。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
